Letter Play No. 3 celebrates the visual poetry of the Korean alphabet, Hangeul, exploring how written language can transcend communication and exist as pure form. Detached from its linguistic function, each letter becomes a sculptural fragment—part architecture, part rhythm, part light.

The iridescent surfaces shimmer between visibility and erasure, suggesting the mutable nature of meaning itself. The once-familiar alphabet dissolves into abstract geometry, where sound, structure, and color intermingle.

Arranged against a deep black frame, the letters appear to hover between order and entropy—echoing the artist’s ongoing interest in the unstable space between the signifier and the signified.

In Letter Play No. 3, language is no longer read but felt. It vibrates with motion and emotion, inviting viewers to experience Hangeul not as a code to be deciphered, but as a living field of beauty, rhythm, and resonance.