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Notes No. 4

2015

oil pastel, paint, LED strips

39'-0"w x 19'-0"h x 0"d

This immersive installation transforms a residential lobby into a living manuscript—an environment where writing becomes architecture and language inhabits space.

Drawn from Walt Whitman’s sketchbook drafts of Perception of Senses (sourced from the Library of Congress digital archive), handwritten excerpts were projected onto the walls and ceiling, then meticulously traced by hand. Every hesitation, crossing-out, and revision was preserved—revealing not only Whitman’s words, but his struggle to arrive at them.

Rather than presenting polished poetry, the work foregrounds process: thought in motion. The fragments wrap the room like a continuous stream of consciousness, inviting residents to walk through the intimate mechanics of creation itself.

Recessed LED strip lighting punctuates the surfaces, echoing the visual language of time-lapse photography—suggesting the passage of ideas, the rhythm of thought, and the slow accumulation of meaning. Writing is elevated from a utilitarian act to an experiential art form, where language becomes atmosphere and revision becomes choreography.

Installed in the lobby of a Westwood apartment building, Perception of Senses offers a quiet moment of reflection within daily life—an invitation to consider how meaning is formed, undone, and rewritten through time.

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